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"We're Back! A Dinosaur's Story"
An animated film that'll appeal to kids generating their love and admiration of dinosaurs.
According to box office results, this movie became a huge bust back in 1993. In that case, you've arrived at the perfect spot to help us try and raise this movie back up.
It's hard to believe that a movie by Steven Spielberg would result in a flop (creative artists have their moments, as I, myself, can relate). The premise of this movie is simple: Have respect for the dinosaurs and visit a natural history museum. It all starts when a little bird named Buster tries to break free from his mother and fellow friends, wanting to become his own bird when he runs into a dinosaur playing golf.
Based off of the title, it's a story where dinosaurs—
Rex, Elsa, Dweeb and Woog—charge forward in the future where they hope to blend in and interact with modern day humans—"modern day" meaning back in 1993, the year this movie was released. Prior to that, a man named NewEyes and his sidekick Vorg captured these four dinosaurs in their flying ship and fed them Brain Grain—cereal which makes them smart and conscience enough to make their own decisions. NewEyes informed the dinosaurs that using the audio feed from his invention, called the Wish Radio, the children of the future hope and wish they could meet and greet dinosaurs in person. Aiming to fulfill their wishes, the four dinosaurs are off on this very mission. Along the way, they meet a boy, Louie, who reluctantly becomes friends with them, then later a girl, Cecilia, joining the reptiles in meeting up with Dr. Juliet Bleeb at The Museum of Natural History in order to help make the kids' dreams come true: meeting real-life dinosaurs.
After a brief exploration and participating at New York's Thanksgiving Parade, fooling the audience thinking they were animatronics, the dinosaurs unveil their true selves causing a panic among adults, though the children were all very eager to meet the dinosaurs though their parents didn't allow them so. Distraught but happily escaped the police (yes!), Ceci and Louie find themselves in the middle of nowhere when they see and enter a circus lair—Louie's original plan, after running away from his parents. Wanting to increase attendance, the circus owner named ScrewEyes, who is NewEyes' evil brother, makes a deal with the kids by having them sign a contract with their blood. After doing so, the kids finally get to see more of the circus, but are under ScrewEyes' control after signing the contract. Once the dinosaurs find them, they can't save the kids until they make a deal with ScrewEyes. After Ceci and Louie meet with
Stubbs the Clown, who worked for ScrewEyes, the kids realize that ScrewEyes' brother fooled the dinosaurs with a formula that made them friendly to humans, when clearly, they're supposed to be vicious and violent. Taking a risk in order to save the kids, the dinosaurs agree and take the pills.
"Don't be scared, it'll be alright. It's no more than a bad dream."
Next circus show, ScrewEyes present the dinosaurs enticing the audience with their angry, vicious behavior. After a circus light shut off thanks to a stray crow, and breaking out of the control that Professor ScrewEyes had the dinosaurs under, Rex grabs and nearly eats ScrewEyes alive. Louie runs in the middle of the show to tell Rex not to do it. After an emotional exchange, Rex puts ScrewEyes down after feeling remorse....and becomes himself again! Getting a standing ovation from the crowd, both Louie and Ceci hug Rex happy to have him back; The kids do the same to Elsa, Woog and Dweeb, all of whom go back to their old selves again. Suddenly, Vorb and NewEyes show up to have the dinosaurs and the kids get back into the ship. NewEyes wanted to make amends with ScrewEyes but he refuses to join them. Only then, the clown Stubbs proudly declares to quit his job and gives back everything he was given on the job while the audience laughs. As the gang get back in the ship to go meet Dr. Bleeb at the Museum of Natural History, and Stubbs leaves, ScrewEyes is left all alone—his biggest fear—then slowly disappears after getting eaten up by crows. The dinosaurs finally meet with Bleeb telling them the plan and the run-through for the big day when they invite children to the museum. Next day, the kids meet and greet the dinosaurs making their childhood dreams come true—meeting real-life dinosaurs!
Rex ends the story to Buster, only to have him fly back to his mother and giving her a big hug. Rex walks away humming and singing. Movie ends with credits.
If you see the Thanksgiving parade scene, you see balloon figures of Woody Woodpecker, Clifford the Red Dog, Spiderman and Snoopy in the background. Also, when Rex performs a dance number with the kids in the audience, you do see the text "Jurassic Park" written on the theaters sign making a shameless reference to Universal's hit franchise Jurassic Park.
This movie has a very simple message: Get kids excited to visit a museum to learn about dinosaurs—a historical species who roamed our planet millions of years ago. What was interesting was how prejudicial adults are to dismiss this new line of species who are trying to blend in, while the children are more curious and more eager. Now you know the difference between adults and kids, huh?
While Jurassic Park portrays dinosaurs to be deadly, this is more family friendly and the dinosaurs are likable and memorable. It makes you want to give a big hug to each one of them. In a sense, this movie shows that not all reptiles are evil and flesh-eating carnivores. Some want to pair up with the human species, like dogs and cats are, and that's totally okay.
As for this movie overall, it's time to resurface this adorable film to get young kids excited and curious about dinosaurs (let's leave Barney out of this). According to my research, there is a video game based off this movie, but there are no toys or plushies. Was the movie that uninteresting? I beg to differ, and that's why I wanted to watch and review it here for everyone to watch.
"Really, just a recipe for delightful."
— Dr. Bleeb
In fact, one of the late, great film critics said of this movie, "It's shallow and kind of dumb, and the animation is routine, and the story isn't much, and the stakes are a lot higher these days in the featurelength animation game." How is a movie that inspires young kids to learn about natural history "shallow and kind of dumb?" Would we be better off having kids snorting condoms while dabbing, as opposed to learning history and making their futures a bright one? Critiques like that are reason great movies don't have enough spotlight, let alone box office clout (thank goodness for this website). Not that everyone should like this movie, but some movie critics will never understand nor do they deserve to be qualified. (To those who made this movie, featured in the credits below, our respects to you! Same respects handed out to the folks who made the 2015 movie Pixels.)
My only complaint would be wanting to see extras related to Special Features. Yeah, this movie didn't get enough praise but because of that, and also since not very many people watch extras or behind the scenes stuff, I let this slide.
Personally, I have emailed Universal Studios before (yes, it's me Mr. Caballero, remember me?) so now that they know my name, their social media department have likely landed on our website reading this review right now. Bring this movie back, and build a small theme park dedicated to this movie. Yes, I know, Nintendo is coming over and building their theme park on your turf, but likely due to budget reasons, there isn't a likelihood that such thing will happen. That's okay, but if you ever need ideas that may help your company, you're always welcome to hang around our website at any time. After all, I'm only trying to help, and remind your bosses and top executives that this website is safe for work, and is a haven to brew up ideas for future upcoming movies to kick start a fresh franchise. Ass kissing? More like "I'm a fan of your company no matter how many times you reject my resume hoping to work for/with you." Now I know how Howard Stern feels.
Lastly, for the Blu-ray video specs, they are as follows: The video was injected with the H.264 compression via FFmpeg Decoder at 24 bits using the AVC video format, outputted with YUV2. It was digitized in Variable Bit Rate mode, and chroma sampling of 4:2:0. This isn't too surprising since this was a movie originally released on VHS, then digitally restored and upscaled to compensate for Blu-ray's quality standard. For the audio, the DTS codec was integrated, with a sample rate of 48000, has a maximum of six channels of audio (stereo included, which is two channels), and a bit depth of 24 bits per sample. The audio format was outputted via Lossless format at combination/mix of Variable and Constant Bit Rate modes (mostly Constant, however). DTS has been doing a marvelous job with their digitations, making classic movie audio sound crystal clear and of high quality. Overall, in terms of the Blu-ray, it's a remarkable copy.
This is a classic animated movie that needs more attention. Though it's a bit short, it really gets you to like the characters. Mr. Spielberg, feel no shame: modernize this movie again. Better to inspire kids about ancient reptiles that came before us than getting them to record themselves eating Tide Pods and posting on YouTube, right?
- Lovable characters.
- Simple story, event told by Rex himself.
- An underrated, animated film by Steven Spielberg.
- Encourages kids to visit museums and to learn more about dinosaurs.
- Family-friendly film that deserves more attention.
- Hollywood might pursue a modern remake and/or sequel to this film.
|Title||We're Back! A Dinosaur's Story|
|Description||HD PICTURE and THEATER QUALITY SOUND
A DINOSAUR ADVENTURE FOR THE WHOLE FAMILY!
For every kid who ever wanted to meet a real dinosaur, Steven Spielberg presents We're Back! A Dinosaur's Story — the animated tale of four prehistoric pals in the most awesome adventure since the dawn of time! Join Rex, Woog, Elsa and Dweeb as they time-travel to New York City to meet their biggest fans — modern-day kids — and make all their wildest dreams come true. Featuring the voices of John Goodman (The Flintstones), Jay Leno (The Tonight Show), Martin Short (A Simple Wish) and Rhea Perlman (Cheers), We're Back! A Dinosaur's Story is a magical film the whole family will enjoy.
|ISBN / Bar Code number||0 25192 27541 8|
|Blu-ray Amaray Movie Credits||STEVEN SPIELBERG presents "WE'RE BACK! A DINOSAUR'S STORY" music by JAMES HORNER original song by JAMES HORNER and THOMAS DOLBY based on the story by HUDSON TALBOTT screenplay by JOHN PATRICK SHANLEY executive producers STEVEN SPIELBERG FRANK MARSHALL KATHLEEN KENNEDY produced by STEPHEN HICKNER directed by DICK ZONDAG RALPH ZONDAG PHIL NIBBELINK SIMON WELLS A UNIVERSAL PICTURE|
|HD Video Format||1.85:1 (16:9) / Widescreen (Letterbox) / 1080p|
|Audio Format||English DTS-HD Master Audio 5.1; French European, Castilian Spanish, L.A. Spanish, Italian, Japanese DTS Digital Surround 5.1; Brazilian Portuguese DTS Surround Mono; Danish, Finnish DTS Digital Surround LT/RT; Russian VO DTS Digital Surround 2.0 Mono|
|Disc Count||One (1)|
|Genre||Animation / Family|
|Run Time||1 Hr. 11 Mins.
Actual time: 1:10:52
|Subtitles||English SDH,* French European, Italian, Castilian Spanish, L.A. Spanish, Japanese, Danish, Finnish, Brazilian Portuguese, Russian|
|Rated||G - General Audiences
|Region||Region A - NTSC|
|Original Film Release||November 24, 1993|
|Blu-ray Release||November 17, 2015|
|Production||Universal Studios Home Entertainment / Amblin Entertainment|
|Specification||Color / BD-50|
|Blu-ray Product Number||2048785 / #61166987|
|Copyright||™ & © 1993 Universal City Studios, Inc. and Amblin Entertainment, Inc. All Rights Reserved.
10 Universal Plaza, Universal City, CA 91608 © 2015 Universal Studios. All Rights Reserved. WARNING: For private use only. Federal law provides severe civil and criminal penalties for the unauthorized reproduction, distribution or exhibition of copyrighted motion pictures and video formats. DTS soundtracks contain up to 5.1 channels of discrete audio. DTS, the Symbol, and DTS-HD are registered trademarks of DTS, Inc. Blu-ray™ Disc and b) are trademarks of the Blu-ray™ Disc Association.
|Other Formats||VHS, DVD, Digital Download, Amazon Video|
|Other||*Subtitled for the deaf and hard-of-hearing.
For use only with Blu-ray™ players and drives.
dts-HD Master Audio dts Digital Surround technicolor
ENGLISH SDH MAIN FEATURE ONLY
SOUNDTRACK ALBUM AVAILABLE ON EASTERN RECORDS COMPACT DISCS
www copyprotected com
John Goodman Blaze Berdahl
Rhea Perlman Jay Leno
Rene LeVant Felicity Kendal
Walter Cronkite Joey Shea
Julia Child Kenneth Mars
Yeardley Smith Martin Short
Music Composed by
Original Song by
James Horner Thomas Dolby
"Roll Back The Rock (To The Dawn Of Time)"
Performed by Little Richard
Produced by Thomas Dolby
Based on the book by
John Patrick Shanley
Dick Zondag Ralph Zondag
Phil Nibbelink Simon Wells
Co-Producer Thad Weinlein
Production Manager Hal Waite
Art Director Neil Ross
Supervising Editors Sim Evan-Jones
Character Designer Carlos Grangel
Storyboard Supervisors Tom Humber
Supervising Animators Jeffrey J. Varab
Layout Supervisor Peter Moehrle
Background Supervisor Colin Stimpson
Special Effects Supervisor Steve Moore
Color Separation Supervisor Annie Elvin
Checking Supervisor Corona Esterhazy
Supervising Digital Colorist Douglas Ikeler
Camera Supervisors Stuart Campbell
Scene Planning Supervisor Harald Kraut
Amblin Production Executive Bonne Radford
Production Coordinator Colin J. Alexander
Post-Animation Supervisor Robert Crawford
Amblin Creative Executive Douglas Wood
Post-Animation Coordinator Matthew Teevan
Directors' Assistant Mark Swift
Assistant to Mr. Spielberg Bonnie Curtis
Lead Production Assistant Jill Hopper
Post Production Supervisor Stephen Barker
Supervising Production Accountant Allan Davies
Production Accoutant Sylvia Mackintosh
Human Resources Manager Kate Mallory
Facilities Manager Caven Cummings
Computer Manager Alex Volovsek
Alex Lawrence Geoff Clowes
Erik C. Schmidt
Supervising Layout Artist Marco Cinello
Brendan Houghton Clive Hutchings
Glenn Jeffs David Kenyon
Douglas Kirk Herve Leblan
Mark Marren Damon O'Beirne
Das Petrou Tony Pulham
Panagiotis Rappas Chris Scully
Assistant Layout Artists
Lee Taylor Neal Petty
Layout/Background Coordinator Victoria Morrison
Blue Sketch Artist Adam Binham
Jean Maluta James Williams
Tim Francis David Allonby
Additional Art Direction Colin Stimpson
Luc Desmarchelier Ennio Torresan
Marcos Mateu Steven Albert
Natasha Gross Walter Koessler
Mike Rose Shelley Page
Rodolphe Guenoden Nicolas Marlet
David Bowers Patrick Mate
Daniel Jeannette William Salazar
Andreas von Andrian Fabio Lignini
Jan van Buyten Quentin Miles
Miguel A. Fuertes Denis Couchon
Jurgen Richter Glenn Sylvester
Todd Waterman Michael Eames
Franck Vibert Johnny Zeuthen
Olivier Pont Georges Abolin
Jacques Muller Phil Morris
Eric Bouillette Arnaud Berthier
Alain Costa Oskar Urretabizkaia
David Berthier Luc Chamberland
Emanuela Cozzi Stephane Franck
Maximillian Graenitz Steve Horrocks
Andrea Simonti Pete Western
Senior Assistant Animators
Shari Cohen Julia Woolf
Roland Chat Isabelle Beaudoin
Tony Cope Brenda MC Kie-Chat
Luba Medekova-Klein Fernando Pastor
Steve Perry Silvia Pompei
Emil Sergiev Emil Simeonov
Claudia Aaron Philip Anderson
Cecile Bender Jamie Bolio
Sylviane Burnet Steve Cavalier
Odile Comon Cecilia Esteves
Stuart Evans Nathalie Gavet
Antony Gray Louise Haley
Nick Harrop Paul Jesper
Sean Leaning Veronique Langdon
Philippe Lebrun Ivelina Nacheva
David Navarro Dawn Pearce
Jane Poole Rick Richards
Kay Sales Andrew L. Schmidt
Kieron Seamons Kevin Spruce
Karen Stephenson Simon Swift
Richard Tang Mathew Taylor
Vladimir Todorov Daniela Topham
Stephanie Walker Mark Williams
Claire Bramwell-Pearson Eric Delbecq
Tony Ealey Adam Heller
Katrin Herjean-Malkiewicz Gontran Hoarau
Carl Linton Pierre Lyphoudt
Janet MacKay Andrew Moss
Sylvia Muller Vittorio Pirajno
Jean-Francois Rey Marco Trandafilov
Patrick Beirne Shaun Blake
Aleisa Bloom Julia Bracegirdle
Belem Cerqueira Cathy Childs
David Clarvis Pierre Coffin
Bojan Djukic Paul Hallewell
Debbie Hamed Louise Keating
Sarah Keogh Sarah Marsden
Vanessa Martin Jason Mc Donald
Stephen Morgan Karen Narramore
Scott Pleydell-Pearce Andy Paraskos
Mark Smith Aksel Studsgarth
Francesca Talbot Sylvainne Terriou
Tim White Sue Woodward
Mike Smith Steven Burch
Jon Brooks Garrett Wren
Mick Harper Hock Lian Law
Andrew Brownlow Jeff Topping
Leonard F.W. Green
Philippe Angeles Dan Turner
Alex Staderman Stephen McDermott
Effects Assistant Animators
Guner Behich David Birkinshaw
Michaela Budde Francine Chassagnac
James Clow Fran Doyle
Natalie Garceau-Turner Duncan Henry
Earl Hibbert Rosanna Lyons
Giulia Mazz Patsy Morton
Antonio Palermo Albert Price
Gary Sole Heather Tailby
Jerry Verschoor Grace Waddington
Joe Berger Paul Houlihan
Lilas Leblan Lee Townsend
Effects Coordinators Kristine Humber
Color Separation Coordinator Barry Goff
Color Separation Key Artists
Sky Bone Janet Cable
Jane Dillon Helen Ingham
Shaun Mc Glinchey Leanne Rich
Color Separation Artists
Caroline Baxter James Bird
Tanya Blair Helen Buckingham
Karen Church Lucy Fellowes
Segan Friend Gerald Gallego
Brian Holmes Lorea Hoye
Wayne Kennedy Susan Lamson
Ron McMinn Deirdre Hazel O'Flaherty
Carmen Parrinello Leo Taylor
David Walker Martin Wiseman
Jonathan Wren Karin Adams
3D Sculptures Philippe Angeles
Checking Coordinator Steve Pegram
Joan Topley Corine Marcel
Helen O'Brien Marianne Rousseau
Nondus Banning-Boddy Deborah Campbell
Michael Myers Eithne Quinn
Chantal Marsolais Janice Eason
Cindy Moehrle Shaun Caton
Color Model Supervisor Jane Gotts
Alison Flintham Julie Gleeson
Key Frame Painter Sarah Fletcher
Clare de Chenu Marcus Taylor
Andrew Mac Ritchie Jennifer Keys
Kieran Evans Rob Green
Brian Riley Craig Simpson
Junior Camera Operators
Deirdre Creed Sam James
Direct Grab Operators
Tommy Galligan Peter Brady
Peter Murray Victoria Trudgeon
Jason Sallin Trevor Withers
Computer Generated Imagery
Rhythm & Hues Bert Terrieri
Rushes Christian Hogue
Cal Limited Roger Guyett
Line Test Supervisor Tim Davies
Chris Knights Clive Bolger
Hattie Berger Colin Hutton
Production Librarian Martin Elvin
Production Secretary Louise Barrett
Human Resources Assistant Tara Maloney
Assistant Production Accountant Tarn Harper
Accounts/Purchasing Assistant Tina Mc Connell
Junior Production Assistant Edward Bignell
Facilities/Shipping Assistant Stacey Hancox
Driver Brian Kinch
Receptionist Kim Mc Hugo
Tea Lady Malek Jamal
Voices in Order of Appearance
Rex John Goodman
Buster Blaze Berdahl
Mother Bird Rhea Perlman
Vorb Jay Leno
Woog Rene LeVant
Elsa Felicity Kendal
Dweeb Charles Fleischer
Captain Neweyes Walter Cronkite
Louie Joey Shea
Dr. Bleeb Julia Child
Professor Screweyes Kenneth Mars
Cecilia Yeardley Smith
Stubbs the Clown Martin Short
Nigel Pegram Ron Karabatsos
Jessica Angelson Cristy Kelly
Zachary Ball Alexandra Large
Barbara Barnes Marilyn Leubner
Bendar Bashir Jonathan Mc Cracken
Catherine Battistone Jennifer Regan
Michael Benz Rick Richards
Jamie Bolio Liza Ross
Cory Bonder Lindsay Schmidt
Dan Borek Jana Shelden
Bill Capizzi Aaron Teich
Jim Carter Matthew Teich
David Clark Shelley Thompson
Gillian Chat Dick Vosburgh
Dixie Crespi Jessica Waite
J.D. Daniels James Watt
Sandra Dickinson Jessica Wray
Peter Elliot Eliza Yoder
Lou Hirsch Sarah Zilinski
David Holt Desiree Zondag
Justin Isfeld Shannon Zondag
and Larry King as Himself
Casting by Nancy Nayor, C.S.A.
Valerie Mc Caffrey, C.S.A.
Casting Assistant Debbie DeRango
"Roll Back The Rock (To The Dawn Of Time)"
Music by James Horner and Thomas Dolby
Lyrics by Thomas Dolby
Performed by John Goodman
Music Performed by
London Symphony Orchestra, London, England
Music of the A.F.M. Local 47
Music Conducted by
Ink, Paint and Digital Effects by
American Film Technologies, Inc.
Executive Producers for AFT
Art Hartel David Hamby
Executive in Charge of Production Joe Mazzuca
Production Management and Supervision
Sean Lurie Jay Panek
Alex Johns Ron Alonzo
Claudia Ravelo Ana Cruz
Digital Color Model/FX
Stephen Childers Richard Turner
David Morehead Douglas Cooper
Shauna Stevens Isabel Graczyk
John "Woody" Wodynski Celine Petker
Jane Jackoskie Eric Fuss
Brandi Stevens Rachel Lagdao
Robert Cuilty Gabriel Garcia
David "Scott" Murdock Neil Partyka
Joel Pederson John Goldkamp
and a very special thank to our production crew in
Additional Electronic Ink and Paint/Digital Compositing by Sidley Wright Motionworks USAnimation, Inc.
Live Action Models Laura Penta
Alan Mc Mahon
Choreography by Smith Wordes
Orchestrations by Don Davis
Supervising Music Editor Jim Henrikson
Music Copyist Joanne Kane
Music Scoring Mixer Shawn Murphy
Supervising Sound Editor Campbell Askew
Supervising Re-Recording Mixers Rick Alexander
Re-Recording Mixers Jim Bolt
Recordist Albert Romero
ADR Mixer Alan Holly
Sound Effects Editor Robert Gavin
Assistant Sound Editors Michael Trent
Special Sound Effects Dave Lawson
Dialogue Editor Bill Trent
Foley Artists Pauline Griffith
Jennie Lee Wright
Foley Recordist John Bateman
Effects Graphics Bernie Gagliano
Live Action Effects Effects Associates
Color Timer Mike Stanwick
Negative Cutter Kona Cutting
Lab Contact Ray Adams
Titles and Optical Effects Pacific Title
General Screen Enterprises
Title Art Hans Bacher
Dialogue Recorded at Interlock Studios, Los Angeles
The Bridge, London
Sound One, New York
Music Recorded at Air Studios, Lyndhurst Hall, London, England
Lansdown Studios, London, England
Todd-AO/Glen Glenn Studios, Los Angeles
Re-Recorded at Universal Studios Sound Facility, Los Angeles
Twickenham Studios, London, England
Todd-AO/Glen Glenn Studios, Los Angeles
Clifford, The Big Red Dog,
Used with the permission of
Snoopy and Woodstock © 1958
United Feature Syndicate, Inc.
Reproduced by Permission.
Spiderman™ & © 1991
Marvel Entertainment Group, Inc.
All Rights Reserved.
Special Thanks to
R.H. Macy & Co.
American School, St. John's Wood
Light Box Animation
Original Soundtrack Available on MCA CDs and Cassettes
Animation Produced at
Amblimation Studios, London, England
Color Processed by
Rank Laboratories and Foto-Kem/Foto-Tronics
Color by DELUXE®
Eastman Color Film
IN SELECTED THEATRES
the DIGITAL Experience™
DTS IN SELECTED THEATRES
MOTION PICTURE ASSOCIATION OF AMERICA®
THIS PICTURE MADE UNDER
THE JURISDICTION OF
Copyright © 1993 Universal City Studios, Inc.
and Amblin Entertainment, Inc.
All Rights Reserved.
Country of First Publication, United States of America.
Universal City Studios, Inc. and Amblin Entertainment, Inc.
are authors of this motion picture for purposes of
the Berne Convention and all national laws
giving effect thereto.
The characters and events depicted in this photoplay
are fictitious. Any similarity to actual persons living
or dead is purely coincidental.
This motion picture is protected under the laws of
the United States and other countries. Unauthorized
duplication, distribution or exhibition may result
in civil liability and criminal prosecution.
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